In a popular online video talk, there is an overview of the function and importance of simultaneous contrast in art and design.
Its relevance to color theory was popularized by the teachings of Johannes Itten at the Bauhaus, and by Josef Albers (also from the Bauhaus) while he was teacher at Yale.
Its significance, as I try to show, is far greater than in the teachings of Itten and Albers. It had been researched and written about much earlier, in the nineteenth century, by the French scientist Michel Eugene Chevreul, who was the person who gave it the name.
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