Earlier this year, Rachael earned another distinction when one of her woodcut illustrations, titled Carry a Light with You, received a Best of Category Award at the annual competition by the Art Directors Association of Iowa (ADAI). This was just the latest in the ever-growing list of Rachael's well-deserved graphic design prizes.
Showing posts with label documentation. Show all posts
Showing posts with label documentation. Show all posts
Monday, September 7, 2015
Grout Museum Annual Report | Rachael Bair
Earlier this year, Rachael earned another distinction when one of her woodcut illustrations, titled Carry a Light with You, received a Best of Category Award at the annual competition by the Art Directors Association of Iowa (ADAI). This was just the latest in the ever-growing list of Rachael's well-deserved graphic design prizes.
Sunday, August 16, 2015
Lincoln Infographic | Jordon Deutmeyer
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| Lincoln Infographic © Jordon Deutmeyer 2015 |
•••
Richard Critchfield, Those Days: An American Album (New York: Dell, 1986), p. 342—
Just after we moved to Fargo [ND], the summer of 1932, Mother took Grandma Critchfield down to Knoxville, Iowa, to visit McLain in the veterans hospital. He'd been there ever since his brain was injured in that plane crash during World War I. Mom took the three boys along with her. We'd moved into a house on the north side of town and the Hopes were visiting… Mr. Hope had fallen asleep at the wheel and woke up when his car hit a passing train at a crossing. He walked for help with a shattered kneecap. Anyway, the whole family of Hopes came to our house in Fargo to recuperate. When Mom got back from Iowa, she hunted all over for the toilet brush and found it in the kitchen. Helen had been using it to scrub vegetables.
In that first house in Fargo, a family named Hilliard lived next door… Mr. Hilliard wore shorts and a goatee. The shorts came below his stomach and one day his little girl stuck a nasturtium in his navel and he left it there all day. Mr. Hilliard was very congenial. He'd call over, "Yoo hoo! Let's all come out! I've got a good dirty story!" Daddy was always joking too. One time, a man had been chasing girls in the park and Daddy said, "I just wish he'd jump out of the bushes at Betty. She'd scare 'im." Another time, when Aunt Helen was visiting from Iowa with her two-year-old and a newborn baby, Daddy said, "You people in Iowa breed just like rabbits." That didn't go down so well.
Saturday, August 15, 2015
Lincoln Infographic | Bailey Higgins
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| Lincoln Infographic © Bailey Higgins 2015 |
•••
Eugene V. Debs, American union leader, quoted in E.J. Hughes, The Ordeal of Power: A Political Memoir of the Eisenhower Years. NY: Macmillan, 1975—
I am not a leader. I don't want you to follow me or anything else. If you are looking for a Moses to lead you out of the wilderness, you will stay right where you are. I would not lead you into this promised land if I could, because if I could lead you in, someone else could lead you out.
Thursday, May 8, 2014
The Grand Piano | Aaron Van Fossen
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| Grand Piano Timeline © Aaron Van Fossen (2014) |
•••
Louis Agassiz, in Lane Cooper, ed., Louis Agassiz as a Teacher (1917)—
In 1847 I gave an address at Newton, Massachusetts, before a Teachers' Institute conducted by Horace Mann. My subject was grasshoppers. I passed around a large jar of these insects, and made every teacher take one and hold it while I was speaking. If any one dropped the insect, I stopped till he picked it up. This was at that time a great innovation, and excited much laughter and derision. There can be no true progress in the teaching of natural science until such methods become general.
Sunday, January 26, 2014
Promotional Poster | Kellie Heath
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| Promotional poster © Kellie Heath (2013) |
•••
Mae West (I'm No Angel)—
When I'm good I'm very good, but when I'm bad I'm better.
...
Anthony Powell (Hearing Secret Harmonies)—
One of the worst things about life is not how nasty the nasty people are. You know that already. It is how nasty the nice people can be.
...
Jonathan Lynn and Antony Jay (Yes, Prime Minister) [cf. Donald Rumsfeld]—
So that means you need to know things even when you don't need to know them. You need to know them not because you need to know them but because you need to know whether or not you need to know. And if you don't need to know you still need to know so that you know that there was no need to know.
Monday, December 3, 2012
Book Review | Nostaglia
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| Emir of Bukhara in Bukhara (1911), from Nostalgia |
Nostalgia: The Russian Empire of Czar Nicholas II. The Russia of Czar Nicholas II in laboriously restored historical color photographs by Sergei Mikhailovich Prokudin-Gorskii
by Sergei Mikhailovich Prokudin-Gorskii; Robert Klanten, Editor
Gestalten, Berlin, 2012
...
In 1914 the Russian Empire was among the Allied Powers who went to war against Germany and Austria-Hungary, the Central Powers. Three years later, in the upheaval of the Bolshevik Revolution, Czar Nicholas II abdicated, Russia withdrew from the conflict, and in 1918, the czar and his family were murdered.
That same year, among the native Russians who left the country, was a chemist and pioneering photographer named Sergei Prokudin-Gorskii (1863-1944). He was wise to leave because his family had ties to the aristocracy and the military, and in recent years, he had been working for the czar. Beginning in 1909, he had been given financial support, a mobile darkroom, and unusually lenient permission to travel, for the purpose of documenting the people, architecture, landmarks and natural surroundings of what was then the largest, most diverse empire in history. That achievement in itself is amazing, but there is another dimension that makes it more extraordinary—Prokudin-Gorskii’s photographs were made in color, at a time when color photography was rudimentary. Indeed, it would not be widely available for another 25 years.
This impressive volume is a large-sized “coffee table book” in which are collected (in maximum page size) more than 300 of Prokudin-Gorskii’s photographs. There are also informative essays about the purpose and range of his travels. Many of these photographs can only be said to be stunning, because of their richness of color, of course, but also because they provide us with eyewitness views of what it was like to be alive under the rule of Nicholas II, as distinct from the later infamous regimes of the Communists. more>>>
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