Showing posts with label food. Show all posts
Showing posts with label food. Show all posts

Thursday, January 30, 2025

dinner scraps of great horned owls and others

Wikipedia article: A pellet, in ornithology, is the mass of undigested parts of a bird's food that some bird species occasionally regurgitate. The contents of a bird's pellet depend on its diet, but can include the exoskeletons of insects, indigestible plant matter, bones, fur, feathers, bills, claws, and teeth. 

Photograph copyright © Mary Snyder Behrens 2025.

Sunday, April 3, 2022

ham and bacon / let's say eggs for both of them

Vintage print advertisement
Richmal Crompton, William’s Treasure Trove. UK: George Newnes Ltd, 1962.

“I incline to the theory that the plays of Shakespeare were written by Bacon.”

“How could they be?” said William …“How could that man Ham—“

“I said Bacon.”

“Well, it’s nearly the same … Well, if this man Bacon wrote them, they wouldn’t put this man Shakespeare’s name on the books ...”

“Now, boys, I want you all please to listen to me … There was a man called Hamlet—“

“You just said he was called Bacon,” said William.

“I did not say he was called Bacon.”

“Yes, ‘scuse me, you did … When I called him Ham, you said it was Bacon, and now you’re calling him Ham yourself.”

“This was a different man…Listen! This man was called Hamlet and his uncle had killed his father because he wanted to marry his mother.”

“What did he want to marry his mother for?” said William …

“It was Hamlet's mother he wanted to marry.”

“Oh, that man what you think wrote the plays.”

“No, that was Bacon.”

“You said it was Ham a minute ago … I tell you what,” said William confidingly, “let's say Eggs for both of them.”

Wednesday, February 23, 2022

a poodle doth spare us the odium of a law suit

Giovanna Garzoni (1648)
Above Giovanna Garzoni, Dog with Biscotti. Oil on canvas, 1648. Public domain.

•••

Abel G. Warshawky, The Memories of an American Impressionist. Kent State University Press, 1918, pp. 131—

An amusing story was told me in this connection by Robert Logan [1875-1942], the American etcher. A wealthy maiden lady of Boston had commissioned a local painter to do her portrait, and when it was finished had indignantly refused to take it on the grounds that the portrait was unrecognizable. Why even her pet poodle, she exclaimed, the loving companion of all her hours, had failed to recognize his mistress in the picture, which, as a matter of fact, was both an excellent painting and a first-rate likeness. Not wishing to risk the publicity and odium of a law suit to recover his fee, the portraitist in his dilemma turned for advice to a distinguished painter of his acquaintance, who also happened to know the recalcitrant lady. The latter in due course received a letter from the portrait painter, informing her that he had effected certain subtle changes in her picture and that if she would come to see it in his studio, she would, he felt sure, be highly satisfied with the result.

The invitation having been accepted, the friendly adviser appeared in the painter’s studio shortly before the hour appointed for the lady’s visit, bringing with him a piece of fresh bacon, which he proceeded to rub over the features of the portrait. When the lady arrived, bringing her poodle with her, she found the distinguished artist admiring her portrait and congratulating his colleague on the excellent resemblance he had obtained. To these eulogies the lady replied dryly that the portrait did not please her, and that even “darling Fido” did not recognize his mistress. “But, dear Madam,” insisted her friend, “are’t you aware that dogs, especially poodles, are notoriously shortsighted? Hold the little darling close to the picture, and then see if he does not recognize you.” Held close to the canvas, Fido, who sniffed the delicious aroma of bacon grease, made frantic efforts to kiss the painted image of his mistress, succeeding in applying several licks to her mouth, eyes, and nose. “See, Madam,” remarked the painter, “how the dog recognizes and adores your likeness.” Needless to say, the lady was won over to admiration and the portrait was paid for.

Saturday, March 20, 2021

picked it up and then flung it under the seat

view larger
Above Roy R. Behrens, Root Canal (© 2021). Digital montage.

•••

Ann Barr and Paul Levy, The Official Foodie Handbook. Arbor House, 1985—

When Marilyn Monroe was married to [playwright] Arthur Miller, his mother always made matzo ball soup. After the tenth time, Marilyn said, “Gee Arthur, these matzo balls are really nice, but isn’t there any other part of the matzo you can eat?”

•••

George and Weedon Grossmith, The Diary of a Nobody. London: J.M. Dent, 1940, pp. 55-56—

I was leaning out of the box [at the theatre], when my tie—a little black bow which fastened on to the stud by means of a new patent—fell into the pit below. A clumsy man, not noticing it, had his foot on it for ever so long before he discovered it. He then picked it up and eventually flung it under the next seat in disgust. …I felt quite miserable. Mr. James [a companion], of Sutton, was very good. He said, “Don’t worry—no one will notice it with your beard. That is the only advantage of growing one that I can see.” There was no occasion for that remark, for Carrie is very proud of my beard.

To hide the absence of the tie I had to keep my chin down the rest of the evening, which caused a pain at the back of my neck.

Sunday, March 22, 2015

Art History Poster | Olivia Jaschen

Art History Poster © Olivia Jaschen (2015)
Above Poster by Olivia Jaschen, graphic design student, Department of Art, University of Northern Iowa (2015), announcing a Call for Papers for the 5th Annual Art History Symposium at the same school on April 10, 2015.

•••

Lady Dorothy Nevill—

Guinea pig, there's a tasty dish for you, but it was always a job to make your cook do it. They want bakin' same as the gypsies serve the hedgehogs. I tried eatin' donkey too, but I had to stop that, for it made me stink.

•••

Charles Dickens, The Pickwick Papers—

Miss Bolo rose from the table considerably agitated, and went straight home, in a flood of tears and a sedan chair.

•••

Anon—

I'm not an actor. I just play one on tv.

Sunday, February 2, 2014

Digital Illustration | John Vorwald

Story illustration © John Vorwald
Above Digital short story illustration by John Vorwald, completed as an undergraduate graphic design student at the University of Northern Iowa.

•••

Melvin Fishman—

The holes in your Swiss cheese are somebody else's Swiss cheese [cf. figure-ground].

•••

Norah Phillips—

On the subject of confused people, I liked the store detective who said he'd seen a lot of people so confused that they'd stolen things, but never one so confused that they'd paid twice.

•••

D.H. Lawrence (The Later DHL)—

No absolute is going to make the lion lie down with the lamb unless the lamb is inside.

•••

Woody Allen (Without Feathers)—

The lion and the calf shall lie down together but the calf won't get much sleep.

•••

Herbert Berbohm Tree (BT)—

The only man who wasn't spoilt by being lionized was Daniel.

Wednesday, June 13, 2012

Wild West, Hot Dogs and Gertrude Kasebier

Gertrude Kasebier, Portrait of Charging Thunder (1898)


Above A studio portrait of a Native American (Lakota) named Charging Thunder, as photographed by Gertrude Kasebier (1852-1934) at her Fifth Avenue Studio in New York.

Kasebier had studied with Arthur Wesley Dow (whose theory of composition also influenced Georgia O'Keeffe), and was associated with O'Keeffe's partner Alfred Stieglitz and the Photo-Secession. After attending the Wild West show in Brooklyn, she secured permission from Buffalo Bill to photograph a group of the Wild West show Indians in her studio.

The photography session took place on Sunday, April 24, 1898. It lasted for three hours, during which the guests were served with tea and hot dogs ("hot frankfurters between unbuttered bread"). It isn't certain, but apparently one of Kasebier's guests was Charging Thunder (shown in the Kasebier portrait above). Details about the session and a selection of the portraits can be found in Michelle Delaney, Buffalo Bill's Wild West Warriors: A Photographic History by Gertrude Kasebier (New York: Harper Collins, 2007).

There seems some confusion about whether there might have been two performers named Charging Thunder. The person in this photograph appears in another photograph (also taken by Kasebier) with his Native American wife. However, elsewhere online, we have found a story (with photos) of another Lakota Indian named Charging Thunder (they certainly don't look like the same person), who was part of the Wild West troupe when they performed in Salford, England, in 1903. This second Charging Thunder, who was 26 years old at the time, had fallen in love with one of the show's horse trainers, a woman named Josephine, and when the Wild West left town, the two of them remained in the UK, married and raised a family. For the rest of their lives, they lived in the vicinity of Manchester. Charging Thunder changed his name to George Edward Williams, registered as an immigrant, and worked for many years at the Belle Vue Zoological Gardens, where he took care of the elephants. According to BBC Manchester, two of his grandchildren have recently been located in the UK.

It's nice to see the Kasebier photo of the first Charging Thunder with his dog. Back then, it was commonly rumored that some of the Native Americans considered dog meat a delicacy. Here for example is a paragraph from the New York Times (Thursday, June 28, 1888, p. 2)—

WHERE DOGS ARE DISAPPEARING: The refining influence of civilization has not lessened the strong taste that Buffalo Bill's Wild West Indians have for dog flesh, and the canine population of Staten Island is rapidly diminishing. New Shirt yesterday devoured with apparent relish an expensive poodle that had been used to much better treatment than it received at the hands of the fighting warrior. The show is still drawing large crowds.

Saturday, November 26, 2011

Sirloin Steak and Whiskey

Mary Snyder Behrens, Trammel: White Wish III (2005) ©






















From James Webb Young, The Diary of an Ad Man: The War Years, June 1, 1942-December 31, 1943 (Chicago: Advertising Publications, 1944)—

"Talked with domestic science editor of one of the women's magazines. She told me that she had tested literally thousands of recipes, covering almost every kind of food. Asked her what, after all this, she considered the best eating. She thought it was pretty hard to beat a good sirloin steak, washed down with straight whiskey. Western gal."